Brothers Karamazov
Alyosha's Speech
Ivan finds it easy to love mankind in the abstract but struggles the moment that idea takes on flesh and bone. Alyosha shows what it is to love, not within the bounds of logic, but as an act.
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18 essays on this topic.
Brothers Karamazov
Ivan finds it easy to love mankind in the abstract but struggles the moment that idea takes on flesh and bone. Alyosha shows what it is to love, not within the bounds of logic, but as an act.
Brothers Karamazov
Ivan has said everything is permitted, and yet he cannot live it. He has a conscience he cannot account for. That is the abyss the devil represents.
Brothers Karamazov
Kolya recites his ideas, he does not explain them. Dostoevsky uses a thirteen-year-old to mock a generation of intellectuals tearing down fences they cannot see.
Brothers Karamazov
Mitya is the embodiment of what the novel calls Karamazovian passion. The most notable thing about him is that I cannot find any malice in him.
Brothers Karamazov
You can do a thousand good deeds and still remain a murderer. The fable inverts this proposition. Live a wicked life, but do one good deed. How much weight does that single act carry?
Brothers Karamazov
On the Grand Inquisitor. Ivan does not deny God outright. He says that even if God exists, he will spit on Him.
Brothers Karamazov
The drawing-room confrontation between Grushenka and Katerina is a seduction battle, and beneath that, a class collision. One of them understands both rooms.
Brothers Karamazov
Fyodor Pavlovich Karamazov is Ivan's belief system, lived. If there is no virtue and everything is permitted, you do not get a free man. You get this.
Brothers Karamazov
On Ivan Karamazov, the first of a sequence on Dostoevsky's last novel. A man who has mastered method but remains aimless in the soul.
Demons
Prediction as real knowledge. Asimov imagined a science that could predict the behavior of large groups. Dostoevsky was doing it. He smelled what was coming in Russia and tried to warn us before the spark arrived.
Demons
Games within games. Stavrogin and Gaganov begin a classic duel of escalating brinkmanship. Stavrogin subverts the rules by firing into the air, playing a different game whose only equilibrium is his own death at Gaganov's hand.
Demons
Stavrogin's interest in Marya Lebyatkin began as amusement at her innocence. His silence after taking her home suggests something else, and the rumors are bold enough to mean some part of them is true.
Demons
People can accept an axiom at face value, but seldom can they accept all its conclusions. Follow the denial of God and free will to its end, and you arrive at someone like Kirillov.
Crime and Punishment
Half on the confession of Raskolnikov, and half on mine. Why an atheist would confess at all, and why I cannot leave the question alone.
Crime and Punishment
I had thought poverty would inevitably triumph over pride. The memorial dinner proved me wrong. Dignity, even when hollow, is sometimes the only thing left holding a person together.
Crime and Punishment
What looks like a friendly chat is a disguised interrogation between two grandmasters. Porfiry opens with gambits, plays to vanity, and ends with a trap Raskolnikov barely escapes.
Crime and Punishment
Katerina Ivanovna's pride was never going to survive her circumstances. Poverty is the great equalizer, and it forces her into a fight that her former life left her unequipped to win.
Crime and Punishment
On the dream of the horse. A child's empathy inverts into the mob's amorality, and the inner voice is silenced. The silence is only temporary, and when it returns, there will be a price.